The perils of localization. As subtitle translation professionals one must be mindful of both the audience and creative intent. Are translations required for dialects within the overall language target? Are these necessary for the viewer? In a unique situation involving Alfonso Cuaron’s acclaimed film “Roma”, subtitles in Castilian Spanish were produced for the Latin Spanish (Mexican regional) audio/spoken language, and audience reception seems to have answered that question for us:
https://www.nytimes.com/2019/01/11/movies/roma-spanish-subtitles-alfonso-cuaron-netflix.html
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